Epiphone 1965 Casino

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Epiphone Elitist Casino Outfit (Made in Japan), Vintage Sunburst: Amazon.​de: Musikinstrumente. EPIPHONE Casino im Natural Finish mit Korpus aus laminiertem Ahorn, geleimtem Mahagoni-Hals mit Palisander-Griffbrett, zwei Dogear P New Epiphone / Elitist Casino Vintage Sunburst Electric Guitar From Japan. Brandneu. CHF , Sofort-Kaufen. +CHF ,82 Versand. Aus Japan. Finden Sie Top-Angebote für Neue Epiphone Elitist Casino (Natur) Gitarre aus Japan bei eBay. Kostenlose Lieferung für viele Artikel! Finden Sie Top-Angebote für Epiphone Elitist Casino Vintage Sunburst bei eBay. Kostenlose Lieferung für viele Artikel!

Epiphone 1965 Casino

EPIPHONE Casino im Natural Finish mit Korpus aus laminiertem Ahorn, geleimtem Mahagoni-Hals mit Palisander-Griffbrett, zwei Dogear P Epiphone Elitist Casino Vintage Sunburst Hollow Body Gitarre kaufen? ✓ 20 Musik Shops ✓ Tiefpreisgarantie ✓ 3 Jahre Garantie ✓ Großes Sortiment. Finden Sie Top-Angebote für Neue Epiphone Elitist Casino (Natur) Gitarre aus Japan bei eBay. Kostenlose Lieferung für viele Artikel! Posted January These charges are the buyer's responsibility. The pickguard is not original and looks like an aftermarket replacement. Estimated between Fri. Tailpiece Jocuri Gratis either a trapeze, Frequensator or Tremotone vibrola.

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Epiphone Elitist 1965 Casino • SN: T138956 See terms. Upload or insert images from URL. The Gretsch catalog, or catalog 32, featured 10 hollow body electric guitars, including the newly launched Gretsch Viking; four solid body electrics, Copa Del Rey Results the Astro Jet - making it's only catalog appearance; just Sizzling Hot Gra Download bass, the single pickup PX; nine Black Night 2 and Osiris Casino Mobile tube amplifiers. Shipping and handling. Not to be confused with the Gibson ES Artist launched by Gibson in ; this ES Artist was an early model designed by the Gibson research and development team in Kalamazoo inthe instruments themselves constructed by Gibson artist Chuck Burge. Electric guitar advertisements originally published from onwards. Neck measures 8 12k ohm and bridge measures 8 21k ohm. Shaftesbury was the house-brand of major UK distributor Rose-Morrisand seems to have been launched as a response to the company's loss of it's distribution deal with Rickenbacker. Subject to credit approval. Epiphone " Casino" Elitist Japan. Beschreibung. Im Top Zustand mit Epiphone Elite Koffer, Gibson USA P90 Pickups. New Epiphone / Elitist Casino Vintage Sunburst Electric Guitar From Japan. Brandneu. EUR , Sofort-Kaufen. +EUR ,47 Versand · Aus Japan. New Epiphone / Elitist Casino Vintage Sunburst Electric Guitar From Japan. Brandneu. EUR , EUR ,10 Versand · Aus Japan. Epiphone Elitist Casino Vintage Sunburst Hollow Body Gitarre kaufen? ✓ 20 Musik Shops ✓ Tiefpreisgarantie ✓ 3 Jahre Garantie ✓ Großes Sortiment.

Pat Comment left 13th November reply I've got a s Epiphone Casino in fair condition. Anyone know what thesr guitars typically go for?

Reply to Pat's comment. Reply to johnny lightyear's comment. Subscribe to our mailing list. Recent posts on vintage guitar and bass Fender catalog, Fender Lovin' Care.

Catalog scan. The Fender Lovin' Care catalog consisted of 48 pages of electric guitars, basses, amplifiers, steel guitars, acoustic guitars, banjos and keyboards.

Like the previous catalog, this featured the company's guitars in a variety of interesting settings around California, from the Whiskey-A-Go-Go, to the Hollywood Bowl.

Several instruments were making their first appearance amongst it's pages: the Telecaster bass, Montego and LTD jazz guitars, and the Redondo acoustic.

The Eko Ranger series of guitars was incredibly popular in the second half of the s and through the s, selling in very large numbers.

Not a bad guitar; a little quiet, but pretty playable. These were great value in , and because they sold so many, they are easy to find and excellent value today.

It was the Vox equivalent to the Fender Precision bass, and was one of the most expensive Vox guitars produced. It was actually a great playing bass, rather similar to the Precision in feel and sound, but was probably just too expensive compared to an actual Fender and consequently sold poorly.

When Vox hit financial problems in , unsold guitars and basses were passed on to Dallas Arbiter, who briefly sold the excess Symphonic bass stock as model This bass, although with a neck date of February , was most likely one of the unsold Vox guitars sold on by Dallas Arbiter.

Check out the bass, and the two video demos through s Ampeg and WEM amplifiers. The Shaftesbury 'Electric Guitars' catalog was just four pages long, and contained four guitar models: the six string Barney Kessel-style ; and three Rickenbacker-styled semi-acoustic models: the six-string , the twelve string and the bass.

Shaftesbury was the house-brand of major UK distributor Rose-Morris , and seems to have been launched as a response to the company's loss of it's distribution deal with Rickenbacker.

The guitars were mid-priced, and built in initially Japan, and later Italy, by Eko. It featured 6 electric guitars, 32 acoustic guitars, 3 basses and 1 steel guitar.

The sixteen-page Rose-Morris catalog featured electric guitars by Rose-Morris' own brand, Shaftesbury, and budget brand Top Twenty; aswell as acoustics by Eko, Aria, and for the first time Ovation.

A detailed look at an early s Fender Precision bass guitar in custom black finish, with rosewood fretboard.

The Fender Precision had been shipping since at least very early - with just one re-design circa This example, then, shows a model already two decades old, but barely changed since the '57 revamp.

Fender got it right first time around, and although there are numerous minor cosmetic differences, the essence of this bass is effectively the same as it was in ' a simple, single pickup instrument with a GREAT sound.

Check out the demo video through an old Ampeg B It's no wonder this is the bass that everybody wants! The Vox Stroller was the brand's entry level electric solid body guitar, fitted with just one pickup and a fixed tailpiece.

Although aimed at student guitarists, it wasn't a terrible instrument, but did lack somewhat in adjustability, having no accessible truss rod and only a floating rosewood bridge.

JMI ceased UK guitar production in late '67, and combined with decreasing demand for the Stroller, this surely must be one of the last examples shipped.

This is a lightweight bass, short 30" scale and very easy to play. It is an early example, and as such has a thin black scratchplate and side mounted, coaxial output jack.

Production numbers are unclear, but left-handed examples rarely come up for sale. Not to be confused with the Gibson ES Artist launched by Gibson in ; this ES Artist was an early model designed by the Gibson research and development team in Kalamazoo in , the instruments themselves constructed by Gibson artist Chuck Burge.

It was planned for launch as a high end semi acoustic with style construction central maple block and innovative circuitry - but was pulled at the last minute, being deemed too expensive.

Apparently, several examples were produced with varying specifications, though exactly how many actually left the Kalamazoo plant is unclear.

Certainly two guitars were sold to LaVonne Music by Gibson in around Read more about the development of this guitar, with details from Chuck Burge and the story of it's sale to LaVonne music.

By the early sixties the carved top was replaced with a laminate, and although still a very fine guitar, the earlier carved top examples, with frondose headstock like the example shown here are far more highly prized amongst musicians and vintage guitar collectors.

The Gretsch Chet Atkins Tennessean, or model was Gretsch's best selling hollow body of the s. This wonderfully faded example from was originally Dark Cherry Red, but has turned a mid-orange brown.

The original color, however, can be seen underneath the pickup surrounds. Nickel plated Gretsch Bigsby tailpiece.

The Gretsch catalog, or catalog 32, featured 10 hollow body electric guitars, including the newly launched Gretsch Viking; four solid body electrics, including the Astro Jet - making it's only catalog appearance; just one bass, the single pickup PX; nine acoustics and 12 tube amplifiers.

Pride of place went to the Chet Atkins Country Gentleman that adorned both the front and back covers.

Guitar Repair: fixing fret buzz and sharp fret ends. Loose frets are especially problematic in certain old guitars, but are generally very easy to fix.

You'll be amazed at the difference you can make with just a few tools, a bit of knowledge, and a little time.

Fixing loose frets can eliminate fret buzz, remove sharp fret ends, and greatly improve the tone of any guitar.

If your luthier bill will be greater than the value of your guitar, definitely time to have a go yourself!

This eight page 'worlds fastest playing neck' catalog, printed in two-colors contained six solid body electrics, three solid body basses, two electric acoustic guitars, two electric acoustic basses and five acoustics.

The President was a hollow body electric acoustic, available as a full body or thinline, and with blonde or brunette finish. It was a great playing guitar that sold fairly well in the second half of the s, throughout the s, and into the very early s.

The example shown here is a full-body depth guitar in blonde - and as a guitar, one of the last to feature the rounded Venetian cutaway.

From late until , the President sported a sharp Florentine cut. Naturally, such an electric acoustic suggests jazz and blues, but many of the original British Hofner President players were part of the rock 'n roll, skiffle and beat scenes of the late 50s and early 60s.

As well as keyboards and pedal steels, this catalog contains seven guitars, three basses and ten amplifiers - from student guitars such as the Musicmaster and Duotone to professional models like the new Jaguar.

The newly designed Les Paul Recording guitar was released in , in many ways as an updated version of the Les Paul Professional that had debuted two years earlier in The new guitar came with a new owners manual explaining the somewhat complicated controls, their operation, and giving other specifications, including recommended strings, action and control settings.

Functionally, these basses were very similar, although the Triumph did offer low and high impedance operation, without the need for a transformer cable.

This owners manual details the basses specifications, suggests a string set, recommended action, and suggests a series of tonal settings for rock, country and solo bass playing.

In the middle of , Rosetti took over distribution of the Gibson line in the UK. Rosetti were a very big name in Britain, having distributed Epiphone since at least , as well as Hagstrom and others.

Some of these models were so short-lived that they were actually never included in US brochures. The cover image reproduced in part here showed some of the earliest demonstration models, including a Victory with a highly unusual white scratchplate.

The Gibson Victory MV, or 'Multi-Voice' guitars had very wide tonal palettes; with coil-tapped humbuckers they could produce typical Gibson tones, but were also designed to 'out-Fender' Fender.

Two models were launched in the summer of Whilst the MVX, was designed to do everything a Stratocaster could do, the MVII was 'primarily for the discerning country player' - placing it squarely against the Telecaster.

Gibson produced a series of single sheet flyers in , promoting some of their newer models Victory bass and Multi-Voice guitars , Chet Atkins Classic Electric and the already best-selling Sonex Deluxe , and a few classic reissues 30th anniversary Les Paul Standard and Heritage Flying V - all of which were received with some applause at the Atlanta NAMM show.

These flyers all contained one or more side-panel, that folded out with model specifications, but were also designed to be reproduced in guitar magazines of the time without the extra fold out.

As an entry level model it was very light, fitted with the most basic components, and not made of the most select woods, but it's unique styling, low price and easy playability made for a relatively popular guitar.

Initially there were two guitar models, the single pickup Clubman I and dual pickup Clubman II, and a companion Clubman bass - check them out in the Vox catalogue.

The guitar was redesigned in the middle of , getting a new Strat-style body, but examples with the older body style were still being shipped perhaps as early as the start of The Vox Consort was produced in the UK throughout the mid s; originally modelled on the Fender Jaguar , it was one of JMI's better quality instruments, with many features not seen on lower-priced guitars.

This early example mixed innovative tone circuitry with Vox's original chrome-covered V1 pickups, for "every possible variation of tone from bass to sharp brilliance".

By the middle of , the model had been redesigned, becoming less Fender-esque and more Vox - have a look at the redesigned Consort in the Vox catalogue.

There is also a fairly large Gibson section, but it by no means contains all instruments produced under that brand at the time. Other instruments featured include guitars and basses by Hagstrom and Futurama , and Brazilian acoustic guitars by Giannini.

By Tony Russell. A closer look at a Hofner Verithin electric acoustic guitar, in translucent cherry red finish. The Verithin was Hofner's thinline model, produced in Germany for Selmer in the UK, and aimed at capturing the desire for the highly desireable, but largely unaffordable Gibson ES series thinline models.

They were good quality, well-built, lightweight instruments, and very popular in early s Britain. The Gibson Sonex series pre-owners 'manual' was produced for circulation in early summer , along with nine other manuals representing different segments available from Gibson at that time.

Rather than a manual in the conventional sense, it is actually a mini folder with three loose-leaf inserts with catalogue-style image and description, one each for the Deluxe, Custom, and a new model, the Sonex Artist.

The Sonex Standard was not included, having been dropped from the Gibson line earlier in Gibson Sonex series owners manual - 16 pages of information for the care and operation of the Gibson Sonex guitar: pickups, electronics, controls, coil tap, tune-o-matic bridge, tailpiece and stringing.

Pertains to the Sonex Deluxe, Standard and Custom models. Unlike semi-hollow body guitars such as the Gibson ES , which have a center block to promote sustain and reduce feedback , the Casino and its cousin, the Gibson ES are true hollow-bodied guitars.

This makes it lighter, and louder when played without an amplifier, but much more prone to feedback than semi-hollow or solid-body electrics.

Early versions of the Casino had a spruce top. Through , the Casino headstock was set at a degree angle and the top was made of five laminated layers of maple, birch, maple, birch, and maple.

Current versions have a laminated maple top, sides, and back, and a mahogany neck. In , Paul McCartney , The Beatles ' bass player, was the first Beatle to acquire a Casino [5] a model , using it for his studio forays into guitar work, including his guitar solos on " Ticket to Ride " , " Drive My Car " and " Taxman " John Lennon used the Epiphone Casino as his main instrument during the remainder of his time with the Beatles.

His stripped guitar still with the original nickel tuners is first seen in the " Revolution " promo film.

It can also be seen in the Let It Be film, including the infamous rooftop concert, and most other pictures of Lennon playing guitar after that time.

Harrison had his fitted with a Bigsby trem , removed the pickguard it can be seen in this state in the "Hello Goodbye" and "Penny Lane" videos, and in pictures of the final Beatles show in San Francisco, He also had it sanded down in From Wikipedia, the free encyclopedia.

Electric guitar. Retrieved 23 February

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Reply to Vintage Guitar and Bass's comment. Pat Comment left 13th November reply I've got a s Epiphone Casino in fair condition. Anyone know what thesr guitars typically go for?

Reply to Pat's comment. Reply to johnny lightyear's comment. Subscribe to our mailing list. Recent posts on vintage guitar and bass Fender catalog, Fender Lovin' Care.

Catalog scan. The Fender Lovin' Care catalog consisted of 48 pages of electric guitars, basses, amplifiers, steel guitars, acoustic guitars, banjos and keyboards.

Like the previous catalog, this featured the company's guitars in a variety of interesting settings around California, from the Whiskey-A-Go-Go, to the Hollywood Bowl.

Several instruments were making their first appearance amongst it's pages: the Telecaster bass, Montego and LTD jazz guitars, and the Redondo acoustic.

The Eko Ranger series of guitars was incredibly popular in the second half of the s and through the s, selling in very large numbers.

Not a bad guitar; a little quiet, but pretty playable. These were great value in , and because they sold so many, they are easy to find and excellent value today.

It was the Vox equivalent to the Fender Precision bass, and was one of the most expensive Vox guitars produced.

It was actually a great playing bass, rather similar to the Precision in feel and sound, but was probably just too expensive compared to an actual Fender and consequently sold poorly.

When Vox hit financial problems in , unsold guitars and basses were passed on to Dallas Arbiter, who briefly sold the excess Symphonic bass stock as model This bass, although with a neck date of February , was most likely one of the unsold Vox guitars sold on by Dallas Arbiter.

Check out the bass, and the two video demos through s Ampeg and WEM amplifiers. The Shaftesbury 'Electric Guitars' catalog was just four pages long, and contained four guitar models: the six string Barney Kessel-style ; and three Rickenbacker-styled semi-acoustic models: the six-string , the twelve string and the bass.

Shaftesbury was the house-brand of major UK distributor Rose-Morris , and seems to have been launched as a response to the company's loss of it's distribution deal with Rickenbacker.

The guitars were mid-priced, and built in initially Japan, and later Italy, by Eko. It featured 6 electric guitars, 32 acoustic guitars, 3 basses and 1 steel guitar.

The sixteen-page Rose-Morris catalog featured electric guitars by Rose-Morris' own brand, Shaftesbury, and budget brand Top Twenty; aswell as acoustics by Eko, Aria, and for the first time Ovation.

A detailed look at an early s Fender Precision bass guitar in custom black finish, with rosewood fretboard. The Fender Precision had been shipping since at least very early - with just one re-design circa This example, then, shows a model already two decades old, but barely changed since the '57 revamp.

Fender got it right first time around, and although there are numerous minor cosmetic differences, the essence of this bass is effectively the same as it was in ' a simple, single pickup instrument with a GREAT sound.

Check out the demo video through an old Ampeg B It's no wonder this is the bass that everybody wants! The Vox Stroller was the brand's entry level electric solid body guitar, fitted with just one pickup and a fixed tailpiece.

Although aimed at student guitarists, it wasn't a terrible instrument, but did lack somewhat in adjustability, having no accessible truss rod and only a floating rosewood bridge.

JMI ceased UK guitar production in late '67, and combined with decreasing demand for the Stroller, this surely must be one of the last examples shipped.

This is a lightweight bass, short 30" scale and very easy to play. It is an early example, and as such has a thin black scratchplate and side mounted, coaxial output jack.

Production numbers are unclear, but left-handed examples rarely come up for sale. Not to be confused with the Gibson ES Artist launched by Gibson in ; this ES Artist was an early model designed by the Gibson research and development team in Kalamazoo in , the instruments themselves constructed by Gibson artist Chuck Burge.

It was planned for launch as a high end semi acoustic with style construction central maple block and innovative circuitry - but was pulled at the last minute, being deemed too expensive.

Apparently, several examples were produced with varying specifications, though exactly how many actually left the Kalamazoo plant is unclear. Certainly two guitars were sold to LaVonne Music by Gibson in around Read more about the development of this guitar, with details from Chuck Burge and the story of it's sale to LaVonne music.

By the early sixties the carved top was replaced with a laminate, and although still a very fine guitar, the earlier carved top examples, with frondose headstock like the example shown here are far more highly prized amongst musicians and vintage guitar collectors.

The Gretsch Chet Atkins Tennessean, or model was Gretsch's best selling hollow body of the s. This wonderfully faded example from was originally Dark Cherry Red, but has turned a mid-orange brown.

The original color, however, can be seen underneath the pickup surrounds. Nickel plated Gretsch Bigsby tailpiece. The Gretsch catalog, or catalog 32, featured 10 hollow body electric guitars, including the newly launched Gretsch Viking; four solid body electrics, including the Astro Jet - making it's only catalog appearance; just one bass, the single pickup PX; nine acoustics and 12 tube amplifiers.

Pride of place went to the Chet Atkins Country Gentleman that adorned both the front and back covers.

Guitar Repair: fixing fret buzz and sharp fret ends. Loose frets are especially problematic in certain old guitars, but are generally very easy to fix.

You'll be amazed at the difference you can make with just a few tools, a bit of knowledge, and a little time. Fixing loose frets can eliminate fret buzz, remove sharp fret ends, and greatly improve the tone of any guitar.

If your luthier bill will be greater than the value of your guitar, definitely time to have a go yourself!

This eight page 'worlds fastest playing neck' catalog, printed in two-colors contained six solid body electrics, three solid body basses, two electric acoustic guitars, two electric acoustic basses and five acoustics.

The President was a hollow body electric acoustic, available as a full body or thinline, and with blonde or brunette finish.

It was a great playing guitar that sold fairly well in the second half of the s, throughout the s, and into the very early s.

The example shown here is a full-body depth guitar in blonde - and as a guitar, one of the last to feature the rounded Venetian cutaway.

From late until , the President sported a sharp Florentine cut. Naturally, such an electric acoustic suggests jazz and blues, but many of the original British Hofner President players were part of the rock 'n roll, skiffle and beat scenes of the late 50s and early 60s.

As well as keyboards and pedal steels, this catalog contains seven guitars, three basses and ten amplifiers - from student guitars such as the Musicmaster and Duotone to professional models like the new Jaguar.

The newly designed Les Paul Recording guitar was released in , in many ways as an updated version of the Les Paul Professional that had debuted two years earlier in The new guitar came with a new owners manual explaining the somewhat complicated controls, their operation, and giving other specifications, including recommended strings, action and control settings.

Functionally, these basses were very similar, although the Triumph did offer low and high impedance operation, without the need for a transformer cable.

This owners manual details the basses specifications, suggests a string set, recommended action, and suggests a series of tonal settings for rock, country and solo bass playing.

In the middle of , Rosetti took over distribution of the Gibson line in the UK. Rosetti were a very big name in Britain, having distributed Epiphone since at least , as well as Hagstrom and others.

Some of these models were so short-lived that they were actually never included in US brochures. The cover image reproduced in part here showed some of the earliest demonstration models, including a Victory with a highly unusual white scratchplate.

The Gibson Victory MV, or 'Multi-Voice' guitars had very wide tonal palettes; with coil-tapped humbuckers they could produce typical Gibson tones, but were also designed to 'out-Fender' Fender.

Two models were launched in the summer of Whilst the MVX, was designed to do everything a Stratocaster could do, the MVII was 'primarily for the discerning country player' - placing it squarely against the Telecaster.

Gibson produced a series of single sheet flyers in , promoting some of their newer models Victory bass and Multi-Voice guitars , Chet Atkins Classic Electric and the already best-selling Sonex Deluxe , and a few classic reissues 30th anniversary Les Paul Standard and Heritage Flying V - all of which were received with some applause at the Atlanta NAMM show.

These flyers all contained one or more side-panel, that folded out with model specifications, but were also designed to be reproduced in guitar magazines of the time without the extra fold out.

As an entry level model it was very light, fitted with the most basic components, and not made of the most select woods, but it's unique styling, low price and easy playability made for a relatively popular guitar.

Initially there were two guitar models, the single pickup Clubman I and dual pickup Clubman II, and a companion Clubman bass - check them out in the Vox catalogue.

The guitar was redesigned in the middle of , getting a new Strat-style body, but examples with the older body style were still being shipped perhaps as early as the start of The Vox Consort was produced in the UK throughout the mid s; originally modelled on the Fender Jaguar , it was one of JMI's better quality instruments, with many features not seen on lower-priced guitars.

This early example mixed innovative tone circuitry with Vox's original chrome-covered V1 pickups, for "every possible variation of tone from bass to sharp brilliance".

By the middle of , the model had been redesigned, becoming less Fender-esque and more Vox - have a look at the redesigned Consort in the Vox catalogue.

There is also a fairly large Gibson section, but it by no means contains all instruments produced under that brand at the time. Other instruments featured include guitars and basses by Hagstrom and Futurama , and Brazilian acoustic guitars by Giannini.

By Tony Russell. A closer look at a Hofner Verithin electric acoustic guitar, in translucent cherry red finish. The Verithin was Hofner's thinline model, produced in Germany for Selmer in the UK, and aimed at capturing the desire for the highly desireable, but largely unaffordable Gibson ES series thinline models.

They were good quality, well-built, lightweight instruments, and very popular in early s Britain. The Gibson Sonex series pre-owners 'manual' was produced for circulation in early summer , along with nine other manuals representing different segments available from Gibson at that time.

Rather than a manual in the conventional sense, it is actually a mini folder with three loose-leaf inserts with catalogue-style image and description, one each for the Deluxe, Custom, and a new model, the Sonex Artist.

The Sonex Standard was not included, having been dropped from the Gibson line earlier in Gibson Sonex series owners manual - 16 pages of information for the care and operation of the Gibson Sonex guitar: pickups, electronics, controls, coil tap, tune-o-matic bridge, tailpiece and stringing.

Epiphone 1965 Casino - Epiphone Elitist 1965 Casino Vintage Sunburst

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